[Jiangnan Weaving Rhythm Center Hall｜Point and Line Symphony Form Soul] This scroll embodies the philosophy of Tu Weng's "oil-in-ink" painting. The rhythmic movement of rooftops evokes the cast iron shadows of locust trees on Chang'an Avenue, while the flowing rhythm of water and silver merges with the composition of the Paris School to create a semi-abstract poetic realm. Xuan paper undergoes a secret process of five fusions and six transformations, and the interplay of ochre and gray alludes to the "formal purity" of "Brush and Ink Equal Zero." The meticulously crafted reproduction reaches the level of structural research and innovation, with each stroke refined over thirty years of sketching. Compared to conventional landscape reproductions, this scroll reveals a deeper connection to the aesthetics of the Double Swallows. More than a mere transfer of landscape, it represents a groundbreaking example of paper craftsmanship, bridging the framework of modern composition with the rhythmic rhythms of Jiangnan's misty rain. It represents a visual symphony that continues the legacy of "A Thousand Miles of the Yangtze River." Material: Rice paper Mounting size: 178×69 cm Painting core size: 97×46 cm
