[Six-like Flower and Bird Center Hall｜Kiln-colored Silk Peach Blossom Zen] This painting embodies the essence of Zhu Bohu's "freehand brushwork fused with glaze." Lotus blossoms sway in the wind, reminiscent of Wang Wei's Wangchuan, a translucent silk painting of clear skies. Duck feathers, dotted with black ink, blend with the purple gold glaze of the Zhengde official kiln, creating the profound Wu style. The mineral color, secretively crafted through seven kilns and nine refinements, achieves a deep, deep peacock blue that echoes the "ink hidden in the kiln transformation" principle of "Liu Ru Lun Hua Hua" (Six Likes on Painting). The meticulous imitation technique achieves the exacting standards of "imperial calligraphy master," with each stroke honed over thirty years of refinement in the Peach Blossom Temple powder model. Compared to conventional literati bird and flower paintings, this painting particularly demonstrates Ning Fan's dynamic brushwork. This painting not only embodies the form and spirit of the Tingjia feather family, but also represents a truly premium silk masterpiece that blends the exquisiteness of the Southern Song Dynasty court style with the materiality of Persian enamel. The world's finest collections vie for the true essence of the kiln-like charm of "Birds on Reed Banks." Material: Silk cloth Mounting size: 188×60 cm Painting core size: 70×37 cm
