[Red Clouds and Mountains in the Center Hall | Burnt Iron Cracks: The Soul of the Times] This scroll inherits Qilu's "Sketching to Forge History" style. The majestic cliffs resemble the burnt ink and iron of Huangshan Mountain, while the cascading waves of millet blend with Shi Tao's thirsty brushwork to create a new realm for the era. The rice paper undergoes a secret process of seven soakings and eight solidifications, and the ochre-red glaze alludes to the "brush dipped into mountains and rivers" theme of "Inkstone Drops." The replica is crafted to the exacting standards of "geological growth rings," with each stroke honed through thirty years of sketching. Compared to the permanent Jinling copy, this scroll reveals a more profound connection to the Red Rock aesthetic. More than a mere transfer of landscape re-creation, it is a rich, historical account that fuses the rhythms of geological stratification with the poetic spirit of the Jiangnan countryside, a contemporary brushwork revolution that continues the legacy of "Changshu Fields." Material: Rice paper Mounting size: 178×69 cm Painting core size: 97×46 cm
