Chen Mei's paintings of ladies in the central hall
Chen Mei's paintings of ladies in the central hall
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【Tianji Jinxiu Zhongtang|Baoyun integrates the exquisiteness of Western painting】
This scroll inherits Chen's secret technique of "enamel thread." Its vivid features evoke the shimmering rhythm of Jiao Bingzhen's "Empresses of Successive Dynasties." The folds and folds of the garments, inspired by Lang Shining's sfumato technique, create a new realm of Qing imperial art. The imperial silk undergoes the ancient practice of twelve dyes and five polishes, and the azurite-tempered glaze embodies the principles of "Tianji Brocade" as found in the "Records of the Imperial Household." The replica is crafted with the meticulous precision of "treasure-level study," with each thread meticulously refined over six decades. Compared to more common Qing imperial replicas, this piece demonstrates the Kangxi and Qianlong imperial kilns' heritage. More than a mere reproduction of the elegance of the demeanor, it is a museum-quality silk masterpiece that blends the essence of Eastern and Western painting, offering a glimpse into the true essence of the imperial court, as exemplified by "Yue Man Qing You."
Material: Silk cloth Mounting size: 185×69 cm
Painting core size: 81×44 cm








