[Four Screens of Baishi Landscapes | Ink and Clouds, the Soul of the Farm] This painting embodies the essence of Huang Weng's "red flower ink skeleton" style. The peaks and mountains are unadorned, like shadows piercing the clouds and penetrating the paper, creating a vivid scene of Zhuan calligraphy. The unsophisticated charm of water marks inherits the elegant style of Qingteng and Bada, while also creating its own unique style. The rice paper has been honed through the ancient method of three-stroke and nine-point application, and the ochre smudges subtly embody the "similarity and dissimilarity" principle of Baishi's Painting Quotations. The meticulous imitation technique reaches the "Nongpu Hall level," and each stroke is tempered by the aesthetic of years of innovation. Compared to conventional landscape paintings, this painting reveals a more earthy charm of Hunan and Xiangxi. It is more than just a refined ornament for the literati, but a connoisseur-level piece of paper that blends the strength of a carpenter's axe with the innate charm of a child. Few contemporary works can inherit the innovative philosophy of the aesthetic system of "Borrowing Mountains." Material: Rice paper Single frame Mounting size: 180x50 cm Size of a single painting: 128x32 cm
