[Eight-panel screen of Xiangjun Fuyun | Ink and color blend with the rhythm of Chuci] This group inherits Baoshi's masterful technique of "wind and rain texture" (a technique often used in contexts related to the painting "Nine Songs"). The figures are ethereal, evoking the misty, shimmering lines of Xuan paper in "Nine Songs." Their fluttering sleeves evoke the brushwork of Gu Kaizhi's "The Goddess of the Luo River," creating a new realm of modern ink painting. Specially crafted parchment paper undergoes a secret process of seven alum and nine dyes, resulting in a frosted mineral ink that evokes the "vast and profound" essence of "After Often Getting Drunk." The meticulous reproduction technique achieves the exacting precision of a "master of style and character," with each panel tempered by three decades of wine and Zen. Compared to more common figure reproductions, these paintings reveal a distinct connection to the Six Dynasties, Tang, and Song dynasties. Beyond capturing both form and spirit, these works are truly museum-quality pieces of paper, embodying the romantic poetry and contemporary brushwork of the period. They offer a glimpse into the true essence of Jinling, the context of "Lady Xiang." Material: Rice paper Single frame Mounted Size: 207×39 cm Size of a single painting: 136×32 cm
