[Daqian Tiannv Zhongtang｜Nishang Rongcai Dunhuangpo] This painting embodies the essence of Yuan Weng's "splashing and painting complement each other" technique. Celestial garments cascade like clouds, reminiscent of Yuchi Yiseng's line-lined caves, radiating light through the silk. The layers of dyed garlands blend with the rituals of Tang Dynasty donors, creating a mystical realm of the universe. The mineral color undergoes ten polishing and nine steaming processes, resulting in a precipitated azurite that evokes the "unimpeded color and appearance" of the Buddhist principle in Dunhuang Records. The meticulously crafted reproduction achieves the exacting standards of "stone chamber offerings," with every detail honed through forty years of quenching the Dafengtang powder model. Compared to more common copies of women's paintings, this painting demonstrates the strength of the Yongle Palace murals. More than a mere imitation of brocade imagery, it is a truly exquisite piece of authentic silk that blends the motifs of the Xixia caisson ceiling with the exquisite finesse of the Song Dynasty court style. Top collectors worldwide are vying to inherit the true essence of the mineral color of the "Water Moon Guanyin" painting. Material: Silk cloth Mounting size: 188×60 cm Painting core size: 70×37 cm
