【Yishan Lingfeng Zhongtang｜Songtaoqinjuanyuehaihun】 This bearing embodies the essence of Shangong's "vigorous grass splitting the wind" brushwork. Hawks and falcons soar through the air, resembling the three unique features of King Zhao of Chu. The silk-like calligraphy is vividly reminiscent of the Zhuan script, while the rippling reeds blend with the cobalt blue and white of the Xuande period, creating a unique artistic style. The mineral color undergoes a secret process of nine steaming and ten baking processes, resulting in a deep, malachite-green hue that echoes the "ink is thick and hazy" of the "Tianshu" in the "Records of Grass and Insects of Lingnan." The meticulous imitation technique achieves the exacting standards of "palace-level art," with each stroke honed over forty years in the Renzhi Hall powder model. Compared to conventional freehand bird and flower paintings, this painting particularly captures the brushwork of the Jingnan Campaign. This is more than a mere imitation of the form and spirit of the birds' feathers; it is a truly premium silk masterpiece that blends the Zhejiang School's axe-cut texture with the fluidity of Persian blue. Top collections worldwide vie to inherit the true essence of the "Autumn Trees and Birds Gathering" painting. Material: Silk, mounted on cloth. Size: 188 × 60 cm Painting core size: 70×37 cm
