Mi Fu's calligraphy in the central hall
Mi Fu's calligraphy in the central hall
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【Baojinzhaiyunzhongtang|Brush calligraphy integrates the style of Jin and Tang Dynasties】
This scroll inherits Yuan Zhang's masterful "eight-sided tip" technique. Its vibrant brushstrokes evoke the vibrant, flowing calligraphy of the "Shu Su Tie" silk scroll, while its unique and striking character formations draw inspiration from the "Zhongqiu Tie" scroll, creating a new realm of brush calligraphy. The imperial silk undergoes a secret process of nine polishing and seven dyeings, and the pine smoke blended with vermilion evokes the essence of the "Chen's brush calligraphy" in the "Haiyue Mingyan" scroll. The imitation craftsmanship reaches the exacting standards of "exquisite study," with each tip tempered by thirty years of stone-based Zen practice. Compared to ordinary calligraphy copies, this scroll reveals a profound connection to the Two Wangs. Beyond a direct imitation of form and spirit, it represents a connoisseur-level silk masterpiece that blends the literati's eccentricity with the orthodox traditions of the Jin and Tang dynasties. It offers a glimpse into the true essence of the Northern Song Dynasty, as exemplified by the "Tiaoxi Poems."
Material: Silk cloth Mounting size: 212x58 cm
Painting core size: 84x43 cm







