[Baojinzhai Style Four-panel Screen | Ink Plays Blending the Orthodox Traditions of the Jin and Tang Dynasties] This set inherits Yuan Zhang's unique "eight-sided protruding tip" technique. Its vibrant brushstrokes evoke the rich, moist, and vibrant xuan paper of the Tiaoxi Poems. Its unique and striking character formations, inspired by the "Mid-Autumn Postscript," create a new realm of brush calligraphy. The jade-plate Xuan paper undergoes six sharpening and five dyeing cycles, and the pine soot blended with vermilion evokes the "ministerial brush calligraphy" of the "Haiyue Famous Sayings." The meticulous craftsmanship of this set reaches the level of "exquisite study," with each panel undergoing twenty years of stone meditation. Compared to more common calligraphy copies, this set reveals a distinct lineage between the Two Wangs. Beyond a direct imitation of form and spirit, this exquisite piece of paper fuses the eccentricity of literati with the artistic tastes of the Song dynasty, offering a glimpse into the true essence of the Northern Song dynasty, woven through the veins of the "Shu Su Tie." Material: Rice paper Single frame Mounting size: 190×43 cm Size of a single painting: 134×32 cm
