【Xuanhe Feather Hall｜Qingming Qin Silk Dao Shuhun】 This piece embodies the essence of the Taoist principle of "Slender Gold Melting Color." Cranes' cries in the clouds resemble talismans of the Jade Void Heavenly Lord, translucent through silk. The overlapping emerald branches of the tangerine tree fuse with the dense glaze of the Zhenghe period, creating a unique and profound aristocratic style. The mineral color, crafted through the secrets of nine cauldrons and eight smelters, sinks into the azure after rain, echoing the Taoist principle of "color combining yin and yang" as stated in the Xuanhe Ruilan Collection. The meticulous imitation technique achieves "Purple Palace Level" standards, with each stroke honed over forty years in Longde Palace powder. Compared to the more common aristocratic flower and bird paintings, the brushwork of the Jingkang catastrophe is particularly evident. This is more than just a figurative imitation of rare birds and trees; it is a truly premium silk talisman that integrates the essence of Taoist talismans with the philosophical implications of Ru kiln glaze. The world's top collections compete to inherit the true essence of the Taoist lineage of "Five-Colored Parrots." Material: Silk cloth Mounting size: 188×60 cm Painting core size: 70×37 cm
