[Songxuezhaiyunzhongtang｜Ink Huarong Jin and Tang orthodoxy] This piece inherits the essence of Zi'ang's "jade-like smoothness and golden sound" brushwork. Its elegant aura resembles the luminous, shimmering calligraphy of "The Goddess of the Luo River" on Xuan paper. Its meticulous calligraphy, inspired by the "Lanting Preface," creates a new realm of Yuan Dynasty retro style. Made under the secret techniques of Chengxintang Xuanli, the process of seven seals and nine polishing cycles, the pine soot blended with gold evokes the principle of "harmony and beauty" as expressed in the "Songxuezhai Collection." Its meticulous reproduction technique achieves the exacting standards of "orthodox study," with each tip tempered by three centuries of penmanship. Compared to ordinary calligraphy reproductions, this piece demonstrates a distinct ancestry from the Two Wangs. Beyond its physical and spiritual continuity, it is a connoisseur-level paper that blends the nobility of royalty with the spirit of the literati. It offers a glimpse into the true essence of Wuxing, the context of the "Damba Stele." Material: Rice paper Mounting size: 216x66 cm Painting core size: 85x46 cm
