[Songxuezhaiyun Four-panel Screen | Jade-like and Golden Sounds, Tracing Back to the Jin and Tang Dynasties] This set of calligraphy embodies the essence of Zi'ang's "harmony, elegance, and righteousness." Its graceful aura echoes the luminous, shimmering xuan paper of "The Goddess of the Luo River." Its meticulous character formation, inspired by the "Thirteen Postscripts to the Lanting Pavilion," creates a new realm of Yuan Dynasty retro style. Secretly crafted during the Xuanli period of Chengxintang, the eight-rubbing and seven-polishing process, pine soot blended with gold, evokes the principle of "unchanging brushwork through the ages" in the "Songxuezhai Collection." The meticulous craftsmanship of this set embodies the rigorous "orthodox study level," each piece honed through thirty years of penmanship and meditation. Compared to more common calligraphy, this set reveals a deep connection to the Two Wangs' style. Beyond a continuation of form and spirit, it represents a quintessential scholarly masterpiece that blends the spirit of the Zhao and Song dynasties with the quintessential spirit of the Jin and Tang dynasties. This contemporary audience can savor the true essence of Wuxing, woven into the veins of the "Damba Stele." Material: Rice paper Single frame Mounting size: 190×43 cm Size of a single painting: 134×32 cm
